The 2022 film “The Wolf Man” directed by Leigh Whannell offers a fresh take on the classic monster movie, departing from traditional werewolf lore and embracing a new direction. By reimaging lycanthropy as a disease, the filmmakers send the affected into a green-and-purple delirium, creating a unique visual representation.
Whannell’s approach to transformation is particularly noteworthy, breaking down the process scene by scene, eliminating any unconvincing transitional moments. The film also features inventive camera movements and excellent sound design, adding tension to multiple scenes of characters standing at the end of dark hallways holding their breath.
However, the story is marred by a mess of themes, with the filmmakers seemingly critiquing masculinity but ultimately landing on a concerning message that frames all men as beasts. The film’s focus on stunning mountain landscapes and cool gore may have contributed to this disjointed narrative.
Despite its flaws, “The Wolf Man” is an visually stunning film, with Whannell showcasing his knack for inventive camera movements and the lighting being particularly theatrical. While it may not live up to expectations, the film stands as a unique interpretation of the classic monster movie genre.
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Source: https://www.ign.com/articles/wolf-man-review-leigh-whannell-julia-garner-christopher-abbott