In *Sorry, Baby*, Eva Victor’s debut film delves into how life rebuilds itself after trauma—especially sexual assault. It’s not just about the process of healing but also the questions it raises. Agnes, a brilliant young woman, navigates her way through such an experience and must redefine herself along the way. The movie intertwines humor with depth, showcasing her journey from light-hearted moments to the weight of darkness.
Victor’s script isn’t linear; instead, it uses unexpected plot twists to reveal key events as they unfold between scenes. This oblique approach keeps viewers on edge, making the story feel more impactful and layered. Agnes’ relationship with her roommate Lydie (Naomi Ackie) adds a touch of lightness amidst the darkness, offering support that Agnes craves during her darkest moments.
Lydie’s unconditional support is a highlight—like when she takes care of a kitten out of character, showing how love can provide comfort even in tough times. Meanwhile, scenes featuring kind male characters suggest not all men are problematic, highlighting Agnes’ resilience and ability to find strength within herself.
The film also stands out for its unique style, blending elements from *Manchester by the Sea* with its Northeastern charm. The late scene featuring John Carroll Lynch adds a sweet touch, emphasizing the idea that moving forward is key.
While directed by Eva Victor, who has acted in shows like *Billions*, this movie marks her directorial debut and sets the stage for future explorations of mental health and resilience. *Sorry, Baby* is a warm and compassionate look at healing, making it both watchable and thought-provoking.
Source: https://variety.com/2025/film/reviews/sorry-baby-review-sundance-eva-victor-1236286028