Kesha Sebert has finally released her sixth album, “Period”, which she describes as “the first album I’ve made where I felt truly free”. The album comes accompanied by a world tour and is marked by its return to Kesha’s signature style of unapologetic hedonism. In the music industry, long-term observers may note that this isn’t a new departure for the singer-songwriter.
Kesha previously framed her third album, “Rainbow”, as “truly saving my life” in 2017 during her high-profile legal battle with former producer Dr. Luke Gottwald. The two reached a settlement in 2023, and Period is now released on Kesha’s own label after being bound to Gottwald’s Kemosabe label for previous albums.
Period signals a fresh start by bringing back the Kesha who boasted about brushing her teeth with Jack Daniel’s and took to the stage accompanied by dancers dressed as giant penises. The album features smart little twists, funny self-referential lines, and strong songs filled with unexpected turns.
Collaborators from various backgrounds, including Father John Misty, Jonathan Wilson, and Madison Love, have all come together to make Period a success. Kesha plays the part of her iconic persona to perfection, delivering an unapologetic return that feels like home. With its blend of country-pop, synth-rock, and disco elements, Period is a timely return from a pop icon who’s done past work in various areas.
The album features hits such as Yippee-Ki-Yay, Delusional, and Too Hard, showcasing Kesha’s versatility and knack for crafting catchy songs. The closing track Cathedral marks a notable shift into full-throttle roar, reminiscent of her previous performances.
Source: https://www.theguardian.com/music/2025/jul/03/kesha-period-album-review