The HBO period drama series “The Gilded Age” has made significant strides in addressing criticisms from its first season, particularly regarding plot thinness and shallow characterizations. The third season is more densely layered, tackling complex themes such as prejudice, class struggle, and the struggles of marginalized groups.
Unlike previous seasons, characters are no longer relegated to stereotypical roles or used solely for plot devices. Instead, their experiences are given nuanced attention, forcing viewers to confront the harsh realities of living during this era. The introduction of Phylicia Rashad’s character adds depth to the show’s portrayal of Black America, while the reevaluation of the central pair, Bertha and George, makes them more villainous than previously depicted.
The series has also made efforts to subvert its own nostalgia for the wealthy elite, instead showcasing the darker aspects of their world. The season’s cinematography effectively transforms glamorous scenes into horror shows, highlighting the true cost of this bygone era. While change is slow, these developments suggest that “The Gilded Age” can fulfill its promise of portraying a more accurate and nuanced representation of history.
As Mark Twain and Charles Dudley Warner intended in their 1873 book, the series now acknowledges that things may look gilded on the surface but are not golden. The seeds of change are being planted, and with further development, “The Gilded Age” can become the show it has the potential to be: a thought-provoking exploration of the complexities and challenges of living during this era.
Source: https://slate.com/culture/2025/06/the-gilded-age-season-3-hbo-carrie-coon-christine-baranski.html