“Unraveling Rembrandt’s Technique: Discovery of Arsenic Sulfide Pigments in “The Night Watch””
Researchers from the University of Amsterdam (UvA) have used advanced spectroscopic techniques to identify the presence of pararealgar (yellow and orange/red) pigments in Rembrandt’s The Night Watch painting, explaining how he achieved intricate golden details. The team, led by Ph.D. students Fréderique Broers and Nouchka de Keyser, concluded that Rembrandt mixed these arsenic sulfide pigments … Read more