F. W. Murnau’s 1922 German expressionist film Nosferatu has set a high bar for any remake or reinterpretation of Bram Stoker’s Dracula. Director Robert Eggers, known for his dark and atmospheric films like The Witch and The Lighthouse, has taken on this challenge with his own unique take on the classic horror novel.
Herzog’s 1979 version, Nosferatu the Vampyre, remains a benchmark for those who dare to reinterpret Stoker’s iconic creation. Eggers’ approach is distinct from Herzog’s, however. While Herzog paid homage to Murnau’s original with grandeur and elegance, Eggers has opted for a more unsettling and guttural tone.
The result is a Nosferatu that is dark, clammy, and devoid of charm. The film’s protagonist, Count Orlok, played by Bill Skarsgård, is a shadowy figure that barely registers on screen due to his pale appearance and constant backlit appearances. Even the camera seems to recoil in fear from Eggers’ Nosferatu, adding to the sense of unease.
Eggers has clearly aimed to create a new masterpiece that distills the essence of Stoker’s creation, stripping away the charm and debonair allure of the original character. The outcome is a film that will leave viewers unsettled and disturbed, making it a truly unforgettable experience.
Source: https://www.theatlantic.com/culture/archive/2024/12/nosferatu-review-robert-eggers/681182