Taylor Sheridan often adds Elsa Dutton’s poetic voiceovers to his 1923 scripts. But how does he integrate these poetic monologues into the story? Does he tailor them to the narrative, or does he start with a kernel of an idea that Isabel May’s husky lilt sparks?
Sheridan is known for his ability to craft unique and evocative scenes, but some viewers find the voiceovers to be an indulgence. While they are a creative choice, they can also feel out of place within the story. Despite this, Sheridan has successfully woven these poetic interludes into the fabric of 1923.
However, it’s worth noting that not all critics share this sentiment. Some see the voiceovers as a key element in bringing Elsa’s character to life and conveying her inner turmoil. The balance between poetic monologues and narrative flow is crucial in Sheridan’s storytelling approach. When done correctly, these voiceovers add depth and complexity to the show, while also acknowledging the creative vision of the screenwriter.
Ultimately, Taylor Sheridan’s use of poetic voiceovers in 1923 is a deliberate choice that requires careful consideration. While they may not be for everyone, they are an integral part of the show’s unique identity and a testament to Sheridan’s skill as a writer.
Source: https://www.vulture.com/article/1923-recap-season-2-episode-6-the-mountain-teeth-of-monsters.html