Universal’s latest attempt at reviving its classic monster catalog, “The Wolf Man,” has arrived, starring Christopher Abbott as a man struggling to balance his family life with his inner turmoil. The film cleverly taps into the iconic Universal horror theme, exploring the risks of playing God and facing the consequences.
Directed by Leigh Whannell, the movie follows Blake Lovell, a decent guy and devoted dad, who is haunted by a temper that flares up from time to time. As he tries to escape his abusive past, Blake’s transformation into a werewolf becomes inevitable. The film’s Big Idea – that of a man wrestling with his inner anger – is astute, but its execution falls short.
The screenplay bears the mark of Whannell and “Insidious” writer Corbett Tuck, opening with a memory from Blake’s childhood where he was raised by a traumatically stern father. The film explores themes of family, trauma, and the struggle to defend those we love. However, its intellectual and emotional depth is compromised by a lackluster transformation sequence and unremarkable creature effects.
Abbott conveys deep wells of rage behind his dark, brooding eyes, but it’s not enough to save the film from its predictable plot and limited scares. The movie relies on sound design and perspective-shifting camera work to create tension, rather than relying on genuine frights or surprising twists. Ultimately, “The Wolf Man” feels like a missed opportunity to explore complex themes and ideas.
Despite its strengths as an emotional character study, the film’s technical shortcomings and lackluster scares make it feel like a lesser entry in the Universal monster canon.
Source: https://variety.com/2025/film/reviews/wolf-man-review-christopher-abbott-1236274656