This season’s high-flying box-office numbers were boosted by Hollywood star vehicles, but outside-the-box productions truly stole the show at the 74th Tony Awards. The 10th-anniversary “Hamilton” number was a resounding reminder of Lin-Manuel Miranda’s cultural phenomenon and inspired many creators to keep pushing boundaries.
Newcomer Branden Jacobs-Jenkins won his second consecutive Tony for best play with “Purpose,” a homecoming victory that cemented his status as a defining voice in American theater. His speech highlighted the importance of regional theater, encouraging viewers to explore local productions near them.
The awards also celebrated innovation and diversity, with winners like Kara Young, who has been nominated for four years running, and Michael Arden, who won for directing “Maybe Happy Ending.” The ceremony paid tribute to a new generation of Tony MVPs, including Arden and Young, who are helping power the industry through their devotion to craft.
The show also honored past winners, such as Harvey Fierstein, who welled up accepting a lifetime achievement award. Sara Bareilles and Celia Keenan-Bolger grew emotional remembering late Gavin Creel, who passed away in September. Accepting an award for her humanitarian work, Keenan-Bolger announced the Gavin Creel Fellowships, grants of $25,000 and mentorship opportunities to aspiring actors.
The Tonys are always held during New York’s Pride Month, but this year’s ceremony felt especially celebratory and defiant. Jak Malone and Megan Hilty delivered powerful performances that showcased their commitment to inclusivity and acceptance.
As the industry continues to evolve, it’s clear that innovative shows like “Maybe Happy Ending” and “Purpose” will be remembered for years to come. With a new class of Tony MVPs leading the way, the future of American theater looks brighter than ever.
Source: https://www.washingtonpost.com/entertainment/theater/2025/06/09/best-worst-tony-awards-moments-2025