Canadian director Matthew Rankin’s latest film, “Universal Language”, is a mind-bending exploration of culture, identity, and connection in the snowy landscape of Winnipeg, Manitoba. Set against the backdrop of Iranian New Wave cinema, the movie skillfully fuses the city’s reality with its Farsi-speaking community.
The title itself speaks volumes about Rankin’s ambitious project – if cinema is a universal language, then “Universal Language” is a powerful demonstration of this concept. Bridging 6,000 miles between Toronto and Tehran, the film weaves together two seemingly disparate worlds, creating an enchanting dream that lingers long after the credits roll.
Rankin’s homage to Iranian masters like Abbas Kiarostami and Jafar Panahi is both exacting and heartfelt. The gags start immediately, with clever references to Winnipeg’s discount furniture commercials and a twist on the Iranian institute that produced ’70s classics. The framing device of kids learning from their French teacher adds to the humor, as does the recurring motif of turkeys – yes, lots and lots of turkeys.
However, beneath its surreal surface lies a poignant exploration of connection and distance. As the movie moves along in formally composed shots, something wistful takes shape about the possibilities of linking two worlds that seem insurmountably apart. While some might worry that Rankin’s cinephile concept risks snuffing out authenticity, the film ultimately succeeds in creating its own unique world.
“Universal Language” is a prize-winner at Cannes’ Directors Fortnight and has garnered international attention. With a running time of 89 minutes, it may not be to everyone’s taste, but its impact is undeniable. With three and a half stars out of four, this film is a must-see for fans of experimental cinema and those looking to experience something truly unique.
Rating: 3.5/4 stars
Source: https://apnews.com/article/universal-language-review-matthew-rankin-5e0a9da829125ab4b72980068e2dea02