The third season of HBO’s “The White Lotus” continues to explore themes of luxury, spirituality, and the complexities of human relationships. However, unlike previous seasons, this installment feels somewhat formulaic, relying on familiar tropes rather than breaking new ground.
The show opens with a dead body at a luxury resort in Thailand, setting the tone for a season that delves into the darker side of the wealthy elite. The story follows Victoria and her family as they try to navigate their personal struggles, including toxic masculinity and repressed desires.
One of the standout aspects of this season is its portrayal of the patriarchal values within the Ratliff family. Timothy’s descent into madness and despair serves as a catalyst for exploring the complexities of male identity and the damage it can cause to those around him.
The show also shines a light on the consequences of toxic masculinity, particularly through the character of Saxon, who embodies all the worst traits of an alt-right ideology. His treatment of his siblings is particularly noteworthy, showcasing a puerile and hookup-centric approach to masculinity that is both disturbing and relatable.
Meanwhile, the supporting characters struggle with their own demons, from Chelsea’s attempt to find love in Thailand to Belinda’s return as a put-upon masseuse. The show attempts to showcase the baroque weirdness of the wealthy, but often falls short in its portrayal of women’s experiences.
Despite these missteps, “The White Lotus” remains a thought-provoking exploration of human relationships and the complexities of the wealthy elite. The Ratliff family is undoubtedly the most compelling aspect of this season, with their repression and desperation serving as a reminder that even the most seemingly normal families can be hiding dark secrets.
Ultimately, the show’s vision of nudity and woe feels more like a Christian morality tale than an exploration of Buddhist teachings. While it may not be entirely accurate to the principles of Buddhism, the show does raise important questions about attachment, desire, and the human condition.
Source: https://www.newyorker.com/magazine/2025/03/03/the-white-lotus-tv-review-hbo